Machine-assisted translation. The original Russian publication is linked below.
Preceptor Alsana, preceptorium of the Fatum school "Golden Elixir" - Grand Guild of Wizards, Relic Hunter
Specialization in the Great Guild of Wizards in the early stages of adept development requires a lot of time working with ancient artifacts. The first thing that novice Wizards learn is to diagnose ancient artifacts with their mental body and copy the spells there into a new suitable medium. As a rule, developing copying practice takes quite a long time and only at the first moment seems simple.
Firstly, you need to find an artifact, presumably ancient and presumably authentic, since it is not uncommon to find only copies in museums and, accordingly, in photos on the Internet. Secondly, you need to learn to feel the frequency resonance, this, by the way, is easier than diagnosing the human body, because the artifacts are static, but as experience shows, there are very few who know how to feel the resonance along the chakras, this needs to be developed separately through practice. Sometimes the resonance can go through one chakra, sometimes it is a range. Next, you need to be able to feel the element; it is not always just one element. In general, at work level 4.1, an adept should be able to determine this quite clearly. Frequency and element give the Big Arcana, for example, the element fire-air, the frequency anahata-vishuddha is the 14th Arcana, while at the same frequency only the element air is already the 11th Arcana, and in this way we can already determine the purpose of the artifact. Let's go further, often artifacts contain spells, in order to count a spell you need to already have the level of 4 minor arcana, in this case you already need to gain experience with spells. In addition, artifacts may contain a “specific parameter,” such as a connection to the Deity channel, this will give a spread in frequency. Next comes a separate part of the work - copying; for this, as a rule, a very similar medium is selected, and not just any one, i.e. if the artifact is made of gold, then only yellow metal is selected; a precious stone, then it is selected that is very close in frequency to the artifact stone. The finished or disassembled media is charged layer by layer, i.e. frequency, element, spell are transferred layer by layer, and before starting copying it is necessary to create a dedicated zone and enter a state appropriate to the work. What follows is not hours, but days, weeks and sometimes months and years of charging the new artifact; here everything depends on the original artifact and what is included there. This is how I tried to very briefly explain to you what the first stage of working with artifacts is, the simplest, for beginning Wizards.
Now let’s look at an example: the other day I came across such a cute artifact. Its story goes something like this: a unique piece of jewelry was discovered by archaeologist Pierre Montet on the remains of Prince Hornakht, the heir to the throne was buried in the secret tomb of his father, Pharaoh Osorkon II. Unfortunately, the tomb robbers got to the artifact first. To get inside, they spent a long time drilling into the wall of the magnificent quartzite sarcophagus and eventually made a hole that only a child could get into. The little thief was tearing gold foil from the face of the funeral mask of the deceased, but fortunately, his short stature did not allow him to reach the many amulets hidden between the mummy’s bandages.
Among the valuables that remained untouched was this bracelet with the scarab Khepri - a symbol of the morning sun - and two shoots of waj papyrus, personifying the wish for eternal youth, health and power. But the main secret is hidden under the outer part of the decoration. On its inner side there is a procession of deities, spirits and deans - star constellations, according to the rise of which the ancient Egyptians measured the night hours. The engraved inscription claims that this entire procession serves as a magical shield for Prince Hornakht, who untimely left the world of the living. Cairo, Egyptian Museum. Dating back to the 9th century. BC
Despite the fact that the amulet was on the mummy of a child, it nevertheless has a rather bright energy that does not repel, but on the contrary attracts the eye and the desire to examine it. The resonance went through anahata and there was a feeling of a green sphere around. It is very likely that the amulet was used during the life of the child not so much for protection as for replenishing vitality, here the 17 lassos and the element of life are more felt, in addition, the picture of the solar boat and the god Ra of the Egyptian pantheon immediately went through Ajna, more than Khepri, inclusion in the Ra channel went, maybe because I work with Ra more often. I will not give the spell, but in general the content corresponds to the official description of the artifact, in our everyday understanding: health and vitality.
To practice, you can try to tune into the artifact and try to study it first. When you learn how to diagnose, you can also select a suitable medium and transfer it to an artifact. At first, you can try to first write down the Arcana and then, being in the state of this Arcana, recite the spell; this, of course, will not be an exact copy, but something close to what is needed.